Source:
https://www.podbean.com/eau/pb-j3dav-1a55807
Dr. Beckett interviews Josh Luber, discussing Luber’s 136-page book on “BlindBoxification”, covering transparency versus mystery in the hobby, hybrid product concepts, and Panini’s outlook without full licensing. Beckett highlights Griffey’s rise prior to grading and factory set production, then points to prediction markets as a major emerging topic—raising issues like insider knowledge, manipulation, regulation, and examples of real-world event control. They discuss pseudonymous hobby identities and how real-world presence can act as a safeguard. Beckett and Luber explore “truly collectible cards” (TCCs)—cards that aren’t for sale—contrasting illiquid “inaccessible” grails with liquid bellwether cards. Beckett shares his 1977 experience splitting a 1952 Topps set to keep 406 cards while a partner took the Mantle, using it to frame what makes a card iconic, alongside T206 Honus Wagner. They revisit how “hits” used to be high-number short prints and speculate on series-by-series supply differences, including Beckett’s thesis about the 1952 Topps fifth series drop-off and the Mantle double print. The conversation also contrasts earlier hobby knowledge-sharing with today’s widespread access to data (e.g., pop reports and market tools), and concludes with Wagner’s long-standing mystique predating grading, PSA’s origins in coin grading, and challenges graders face with trimming detection and policy choices.
00:48 Transparency and Licensing Talk
01:33 Griffey Before Grading
02:09 Prediction Markets in Cards
04:37 Handles and Hobby Pseudonyms
05:35 Truly Collectible Cards
07:38 What Makes a Card Iconic
08:54 High Numbers as the Hits
11:21 Information Then vs Now
13:52 Wagner Mystique and Grading Origins